A finished track, not a loop
Describe a track and get one back: the audio, a title, the words, and a cover if you want one. It is its own product — nothing about it is attached to a video, and nothing about a video produces one.
Available on every plan
MUSIC
Made by you
For your projects
No limits
Absolute creativity
A description of the track — mood, voice, theme, tempo, key — either as free text or through a guided sentence. Optionally your own lyrics.
An MP3, a short title, the lyrics as plain text, and a square cover if you asked for one.
One press, one track, one charge
The audio, a title and the words arrive together from a single generation. There is no version of this that hands you a file and leaves you to name it, and no separate errand to run afterwards to find out what the thing you just bought is called.
The cover is a checkbox, not a fitting
Some people want a square cover; some already have art and are only buying the audio. So the cover is its own item with its own price, ticked or cleared by you, and the choice is remembered on your account for next time. Clearing it makes the track cheaper by exactly what the cover costs — not "free with", not bundled and quietly charged for.
Two lengths, and we say what each one really is
The short tier comes back at about thirty seconds — measured identical to the byte across generations, so it is a bed you can plan a cut against. The long tier has come back around a minute and a half — 96.8 s and 98.1 s on the two we measured — and its exact length is not guaranteed by anyone, including us; we report what came back rather than promising it in advance. Nothing here is priced by the second, so the difference never changes what you paid.
Your words, our words, or none
Write the lyrics yourself, let the model write them, or ask for an instrumental. An instrumental still gets a title and can still get a cover — the obvious thing to get wrong here is to make the artwork depend on there being lyrics, and then quietly deliver an untitled file.
Checked before it is called finished
A track that is silence, lyrics that came back in the wrong language, a cover with mangled lettering on it, a "title" that is really a refusal sentence — all of those deliver perfectly happily if nobody looks. So the audio is measured for length and level, the writing system of the lyrics is checked against the language you asked for, and the cover is checked for text before any of it reaches you.
An empty generation costs you nothing
If the generation comes back with nothing usable, the credits come back in full — including the ones the cover had already cost us. That loss is ours, and it is the same rule the rest of the platform runs on rather than a concession invented for this page.
A visualiser video, as a second piece of work
A finished track can be turned into a video, and that is its own job with its own price rather than a button hidden behind a download. Two styles, and neither is the fallback for the other: one builds on the cover, the other draws a bar spectrum straight from the audio with the title set in type we control. No outside supplier touches it, so it is priced on our own machinery alone and against the track’s measured length — and the same track always produces the same video.
A separate product, deliberately
Music does not attach itself to a video job, does not appear as an option inside one, and does not need one to exist. Nothing in the system joins a track to a video. If tracks are all you want, the rest of the platform is something you can ignore entirely.
What it takes
| Plan | Every plan, the free tier included. What a plan decides is how many credits a month you get — a track is paid for out of the same balance as everything else. |
| Audio out | MP3. |
| Lyrics out | Plain text. No timecodes — see below. |
| Cover out | A square image, when the cover box is ticked. |
| Priced | Per track, not per second. Length is not a parameter of the request and is not a parameter of the bill. |
| Output kept for | The period your plan includes, then deleted — the same rule and the same clock as a finished video or a delivered creative. |
Why length is a choice of two, not a dial
Length is not something the request carries. There is no seconds field to fill in; there are two different generators, a short one and a long one, and picking between them is the entire control. So a slider marked in seconds would not be a hard feature to build — it would be a fictional one, and every support ticket it produced would be correct.
What we can do is measure. The short tier has come back at the same length every time we have run it, closely enough that calling it thirty seconds is a promise we are willing to make and to re-check whenever the generator behind it changes. The long tier has not: two measurements, 96.8 s and 98.1 s. So we quote a minute and a half rather than the round number above it, we do not promise either figure, you are told exactly how long after it is made, and none of it changes the price.
What you are charged for
You pay only for what you receive. A generation that comes back with nothing usable is refunded in full and automatically, including the part of it we had already paid for. That loss is ours.
There is one exception, and it is the only one: if you stop a generation after it has started, it is not refunded. The call was already made, on your instruction, and it was paid for.
What it does not do
- Hand you timed lyrics. You get the words, not the words with times. Nothing in what we buy promises timestamps, and four fragile ways of guessing them from an untimed string is not a feature — it is a support queue. If you need a synced caption file, this is not where it comes from.
- Guarantee the length of a long track. The short tier is about thirty seconds and holds; the long one has measured around a minute and a half and is not promised to the second, or to the half-minute. If you are cutting to a two-minute slot, this is not the tier that fills it. The real duration is measured and reported after generation, and nothing is priced from it either way.
- Let you dial an exact number of seconds. Two tiers is the whole choice. A slider marked in seconds would be the easiest control on this page to build and the fastest to turn into a complaint.
- Score your video. Music is not a layer under a video job, a video job does not produce one, and there is no field anywhere that joins them. They are separate products that share a balance.
- Outlive your plan’s storage window. A finished track is kept and deleted on exactly the same schedule as everything else the platform produces — one rule for all of it.
One track is the whole test
The cost is shown before anything runs, and a track that comes back empty costs nothing at all.